Hypercodex.org Human and organic archiving

The work takes the form of a visual search engine, and is naturally introduced into mobile phones by inviting habitual practice. The hypercodex.org is an invitation to engagement, an action is needed to implant blues cells in a codex of knowledge moving organically in real time.

It is about feeding the hypercodex.org platform with artists/philosophers/politicians/researchers/actors who share their resources as well as visitors with their references.

Hypercodex.org proposes to use lines of code for a collective gesture, to give voice to heterogeneity, and the possibility to inscribe on this map, its url(s) to link them to others.
No hierarchy, no subscription, just benevolence and sharing.

This gesture, which today seems completely senseless, is a performance, the artist opens his server without protecting himself; with confidence and generosity.


Welcome to Hypercodex.org at ISEA 2023, TUMO, Forum Des Images, Paris 2023



Instructions, print on paper, 21cmx30cm, 2021


INTELLECTUAL TEASERS

Using the codes of Youtubers, Vidya-Kélie uses her face and her bedroom decor to attract the visitor.

An eye-catching text on a blue background launches to highlight his interactive and collaborative work HYPERCODEX.ORG; A 100% human platform to save the Internet from powerful algorithms that prevent the transmission of free, heterogeneous and cross-cultural content.

POPCARE

Mortality of knowledge

Edition of a digital herbarium from the URLs stored in the Hypercodex.org.


Collection of 12 medicinal plants from the contents of hypercodex.org, print on A4 tracing paper, 2022


WE ARE NOT GOD I – Les astronomes film court - 2018 - 15min

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WE ARE NOT GOD I – Vidéo 2018. 15min

Behind closed doors, Christian, a neuroscientist working on trans-humanism, is interviewed.

Claire, the young filmmaker reveals her own artistic issues in order to take Christian with her so that she can capture him in a moment of truth.

« Les Astronomes » (short film)

Projection using the codes of the short film, the Astronomers, also the name of the exhibition, is the keystone of Vidyakélie’s new project. Les Astronomes is nourished by his pictorial, graphic or numerical practice, which questions the allegorical representations of the human condition: Les Vanités.

Les Astronomes proposes a closed door between three characters: two audiovisual professionals, the director of the film and her lighting designer on the one hand and a scientist working on Transhumanism on the other hand. As the scientist’s subject demands a theoretical requirement at the risk of popularization, the interview turns into an aesthetic and philosophical reflection on the representation of this process.

In Vermeer’s painting, the astronomer is absorbed by his task, he leaves no room for the viewer, the paradox of this reference is that the epicenter of Vidyakelie’s work is at the opposite end. The three characters forget their tasks to concentrate on an interaction, they question themselves.

The Astronomer has often been linked to The Geographer, a work mistakenly cited by the character of Claire, and these two paintings have long been considered as forming a coherent diptych. They are both of the same size and were painted at the same time. Even if this hypothesis has been refuted, these two works present some interesting similarities. Together, they are the only two isolated male representations of Vermeer. The composition and chromatic choices very close to these two paintings, make these works a secular derivative of the theme of Saint-Jérôme under study. This particularity is also present in the exhibition where each work has the function of fitting into the other, significant also in the projection where a work on the mise en abîme is also present.

Text written by Didier Clain.

TEAM

Directed by Vidya-Kélie

With Ana Torralbo, Augustin Jacob, Julien Béramis.

Marc Obin in image and light

Mamzelle’ Mo in costumes

Carla Sabotier script

Emmanuelle Lhomme, Malo and Eve le Fessant Electro-machino Assistants

Isabelle Desalos Assistant Director and Stage Manager

Lola Venet at the decoration

Judicaël Michel at the sound

Mathieu Guignaudeau at the hairdressing salon

Lucie Marot at the make up.

Writing and editing: Vidya-Kélie

Translated with www.DeepL.com/Translator (free version)